• Most Meaningful Video I've ever Shot



    Recently, my dad was honored at a famous local delly in Annapolis. Chick and Ruth's Delly has a pretty extensive menu named after local politicians and now my dad, who's the first reporter to grace their grill. My pops is a semi-retired TV reporter, who worked all over the country in local in national news. He covered Vietnam and the Israeli Six day war for NBC, worked for WMAR in Baltimore for 30 years and is now working part-time at Maryland Public Television. Of course, I had to bring my camera and start shooting.

    Being a quick event in a really small, loud space, it was hard to handle the audio. I ended up just using the rode videomic, attached to the shoe of my camera. It's a shotgun mike, so it does a pretty good job of focusing on the sound directly in front of it. It's still not ideal, I'd have preferred to have something even more directional, but it worked well.

    Lighting was another issue. The GH3 handles low level light really well and extra lighting was not necessary. News cameras were there and every time I'd get the camera set up, another news photographer  would set up their light and I'd have to play around with the settings. It got tough during the speeches, where I didn't have time to fix the settings and just had to wing it. I guess that's the hard part about having a camera that handles natural light so well in a news setting.

    It was a great being a part of it, it was a blast shooting and it was a fun piece to edit.


  • How to make a good video


    So you've decided you want a video, what's next? What takes your video and turns it into something people will want to watch? How do you keep them interested and engaged? There's a simple answer (besides quality audio). It's character and emotion. A good character can take a few basic facts and turn them into a story. A good character can take a boring business profile and turn it into a mini-web documentary about your company. Showing who you are and why you do what you do is important to connect you with your customers and entice them to work with you. The audience should hear from you and should hear from your customers, through interview soundbites.

    A few months ago, I had to shoot a video with the Governor's office about an event announcing Maryland's Central Business Licensing. Instead of just going to the event and shooting there, I did some preproduction, found someone who would benefit and worked them into the video. I think it made for a more compelling, interesting video. When you think about putting together your next promotional video, you should think about who it affects and how you can use that to connect with your audience.

  • Watch the Music!

    As I've grown into a professional videographer, I've started to feel strongly about only using royalty free music. Someone poured hours into creating that piece of art that I'm going to use in my piece of art and they should be compensated, especially if I'm going to make money off of it. I've seen too many videos done for clients, using commercial music, which could end in lawsuits. It's illegal and there's so many options out there, it's a shame people don't use or pay for royalty free music. Here are some resources I've found that work really well.

    The vimeo music store  has a robust selection of both music for sale and creative commons music (music that's free as long as you attribute where you get the music). If you're doing a non-commercial video, they sell music for $2 that you can legally use. You can also sort by mood, tempo & instrumentation. Commercial music runs about $99, which seems to be average.

    pond5 is a lot cheaper for royalty free music and more generic. I found some good music for around $30. It's got a lot of tunes that are similar to more popular music, for instance there's a song that's in the style of the James Bond Theme. Not exactly the James Bond Theme, but close. The music isn't as good, but it's cheaper. 

    withetiquette is run by Stillmotion, a production company that originally started with weddings and moved on to large scale productions. Somewhere along the way, they decided the best way to find music is to partner with independent musicians and license their music. They have a great selection of beautiful indie music, but their licenses are cheaper for wedding videos than corporate. 

    It isn't that I've never used non-licensed music; at this point in my career I wouldn't feel right doing it. 
  • I want my GH3

    In late December I decided it was time to buy a new camera. I had a Canon T3i personally and at work I used a Sony EX1r. I decided I needed a camera good enough for professional use, but still similar to the look of a DSLR. For a while, I'd been following what some people are doing with Panasonic GH2s. Hacking them, over-cranking the sensors and getting beautiful videos.  
    Around the same time, Panasonic announced the GH3. They listened to the hackers and built upon their make-shift upgrades. They added a headphone jack, weather-proofed it and kicked up the sensor. After the initial reviews came out, I preordered it. A month and a half later, I had it in my hands. the David Hart video was the first video I shot with and I wasn't disappointed. Being able to monitor my audio was incredibly refreshing, my Rode Videomic sounded fantastic. The bumped up bit rate looked fantastic. The OLED touch screen is super clear and very responsive. I couldn't be happier and can't recommend this camera enough. 

    Camera may not make a pretty video by itself, but with tools like this, it definitely makes it easier.

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